C-Notes #2
Nile and the "Two Lands"
- Upper Egypt 500 miles long; Lower Egypt wide land that encompasses the Nile delta region.
- Nile was the major provider of life revered in both lore and writings; personified as gods.
- Around 3,100 BC, the two lands were united under the rule of pharaoh Narmer.
- Pharaoh: all-powerful, worshipped as a god intimately connected to major Egyptian gods and goddesses.
- Pharaohs were able to have multiple wives.
- The route to financial and social success was through the palace; one had to be born into royalty or perhaps be a high priest.
- Women had many more rights back then than in many other societies at the time.
- They were able to receive land and money, as well as divorcing husbands.
- Gods were often portrayed with animal heads or bodies.
- Maat: represents harmony and balance of the universe (can be compared with Yin and Yang).
- Egyptians believed in an afterlife (otherwise known as ka) and mummified bodies them for post-death journey.
- At the time of death, souls need to justify themselves and be sent to either an after-world paradise or the jaws of a monster.
- Technology Advancements
- Hieroglyphics (circa 3,100 BC) - earliest Egyptian writing that look like small pictures.
- Papyrus (made from mashed Nile reeds) is an Egyptian script that is written in ink.
- Papyrus was stored in scrolls.
- Papyrus were the books of Ancient Egypt.
- Calendar with 12 months and 365 days to make better sense of seasonal cycles.
- Egyptians had exact knowledge of human anatomy.
- So, they wrote extensively on health issues and created potions and cures to treat common ailments.
- Sailboats created to increase transportation ability on the Nile river.
- Buildings at the time.
- Pyramids are massive stone tombs which were originally covered in marble and then stripped from their former beauty during the Muslim conquest.
- Temple of Amon at Karnak is the largest religious building (with 54,000 ft^2) in the world.
- Sculptures and interior paintings depicted humans and gods in regulated poses: profile, without perspective.
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